17 June 2005
Reflections on Fleet Street and Aston Martin
The name Fleet Street is so evocative of the newspapers, good and bad, that many visitors to London are confused when they can find little or no journalism actually going on there. You might argue that in the corridors of The Sun or The Daily Mirror it was ever thus, but Fleet Street is now no more than a collection of journalism’s ghosts. Major papers have been moving away for three decades, and that exodus was just about completed this week when Reuters vacated the area after 66 years. That leaves only one newspaper publisher, D C Thomson, best known for those esteemed literary periodicals The Dandy and Beano, to which I owe much of my development.
If great names have been performing something of an ereptation from Fleet Street, one of motoring’s greatest names is making a return to hallowed ground this weekend. Aston Martin, eebahgum’s favourite carmaker, is returning to Le Mans, where it was last sighted in 1959. Aston Martin DBR1s came first and second on that day and Aston will be hoping history is repeated with the DBR9 to support its ambitious plan of more than doubling production this year to 5,000 vehicles. Not that demand has been much of an issue lately for Ford’s most prestigious marque. The current waiting list for a new Aston is more than 18 months. I guess that gives me some time to save.
If great names have been performing something of an ereptation from Fleet Street, one of motoring’s greatest names is making a return to hallowed ground this weekend. Aston Martin, eebahgum’s favourite carmaker, is returning to Le Mans, where it was last sighted in 1959. Aston Martin DBR1s came first and second on that day and Aston will be hoping history is repeated with the DBR9 to support its ambitious plan of more than doubling production this year to 5,000 vehicles. Not that demand has been much of an issue lately for Ford’s most prestigious marque. The current waiting list for a new Aston is more than 18 months. I guess that gives me some time to save.
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